Tok Essay Can We Trust Our Emotions in the Pursuit of Knowledge?

Grade awarded: B Criterion A6 Criterion B7 Criterion C6 Criterion D7 Total26 This is a good essay. Despite some localized difficulties (for example, lines 10–11, confusion with the truth tests, line 76, error with â€Å"a priori†) there is some sense of personal engagement and the essay does consistently identify relevant knowledge issues. Criterion A: Understanding knowledge issues Mark awarded: 6 The essay is consistently relevant to the title and there is evidence of real ambition and some attempt to use profound ideas (specifically Godel’s ideas (lines 20–26) and the evolutionary ideas of lines 96–97).However, the ideas are not always used effectively; there is clearly some understanding but it falls short of a â€Å"good† understanding. In particular, there is awareness that the idea of â€Å"truth† is problematic (for example, the introduction and lines 18–19) and its meaning is explored in different areas of knowledge (ma thematics, art, history, ethics, religion) and everyday events (the Iraq war, the table), but the handling of the issue is uneven and at times inconsistent. Criterion B: Knower’s perspective Mark awarded: 7The essay has a clear student voice, starting with an engaging introduction which understands—but is not prepared to countenance—total skepticism; despite the clumsy formulation (lines 4–5) one senses an awareness of alternative perspectives and a personal stand. The examples are appropriate, varied and reasonably effective (for example, lines 31–33, the gamelan; lines 20–26, a brave, if not entirely successful, attempt to concisely explain Godel’s ideas; lines 51–55, Texan law; lines 56–75, Iraq; lines 39–41, Hiroshima and Nagasaki).The quality and quantity show that the student can independently link the ideas to personal, academic and real-life situations, and are a strong feature of this essay. Criterion C: Quality of analysis of knowledge issues Mark awarded: 6 The analysis of issues is weaker than their identification, and the precise links between â€Å"context† and â€Å"truth† are not specified (for example, the examples of the gamelan and Dawkins are both potentially rich but undeveloped).While there is a sense of exploring the idea of truth in different contexts, the inquiry lacks depth and detail, and some conclusions are not adequately supported (for example, line 18, the conclusion â€Å"However†¦ contexts† is supported by examples from non-mathematical contexts; line 13, â€Å"make four because†¦Ã¢â‚¬  is an apparently unaware argument from authority; lines 20–26, Godel’s ideas are not used adequately; lines 28–30, â€Å"Perceptions†¦ view and place† is asserted rather than argued for).It might be argued that the extensive treatment of the Iraq war, while certainly showcasing the student’s perspective o n the issue, might be somewhat polemical rather than carefully argued. Claims of â€Å"emotive language, colourful†¦ fallacies† (lines 67–68) are not elaborated upon and, in the overall picture of the essay, this example seems to contradict the overall conclusion that â€Å"Margaret Atwood was right when she said that context is all† (line 101). Criterion D: Organization of ideas

The Origin of the Popsicle

The Origin of the Popsicle The Popsicle was invented by an  11-year-old boy in 1905, and it was a fluke. Young Frank Epperson didn’t set out to create a treat that would keep kids happy and cool on summer days for generations to come. He mixed some soda powder and water in a glass with a small wooden stirrer, then adventure called and he wandered off and forgot about his drink. It remained outside overnight.   A Cold San Francisco Night It was cold in the San Francisco Bay area that night. When Epperson went outside the next morning, he discovered the first-ever Popsicle waiting for him, trapped frozen inside its glass. He ran the glass under hot water and was able to pull the icy treat out using the stirrer. He licked the frozen treat off the stirrer and decided it was pretty good. History was made and an entrepreneur was born. Epperson  named the treat an Epsicle, taking credit where it was due, and began selling them around the neighborhood.   Beyond the Neighborhood Fast-forward 18 years to 1923. Epperson saw a bigger and better future for his Epsicle and he applied for a patent for his frozen ice on a stick.† He described the treat as a â€Å"frozen confection of attractive appearance, which can be conveniently consumed without contamination by contact with the hand and without the need for a plate, spoon, fork, or another implement.† Epperson recommended birch, poplar, or wood-bass for the stick. Now a grown man with children of his own, Epperson deferred to their judgment and renamed the treat Popsicle, as in â€Å"Pop’s Sickle.† He moved beyond the neighborhood and began selling his Popsicles at a California amusement park. A Not-So-Happy Ending Unfortunately, Epperson’s Popsicle business failed to thrive – at least for him personally. He fell on hard times in the late 1920s and sold his Popsicle rights to the Joe Lowe Company of New York. The Lowe Company took the Popsicle to national fame with more success than Epperson had enjoyed. The company added a second stick, effectively creating two Popsicles stuck together and selling this double-sized version for a nickel. It’s rumored that approximately 8,000 were sold on just one hot summer day at Brooklyn’s Coney Island. Then Good Humor decided all this was an infringement of its own copyright for ice cream and chocolate sold on a stick. A series of lawsuits ensued with the court ultimately deciding that the Lowe Company had the right to sell frozen treats made from water while Good Humor could continue to sell its â€Å"ice cream pops.† Neither side was particularly pleased with the decision. Their feud continued until 1989 when Unilever purchased Popsicle and, subsequently, Good Humor, joining the two brands under one corporate roof. Unilever continues to sell Popsicles to this day – an estimated two billion of them a year in flavors as exotic as mojito and avocado, although cherry still remains the most popular. The double-stick version is gone, however. It was eliminated in 1986 because it was too messy and more difficult to eat than Epperson’s initial accidental brainstorm.

Witty Mothers Day Quotes

Witty Mothers Day Quotes A chuckle and good humor- that could be your gift to your mother on Mothers Day. Use these witty Mothers Day quotes to crack her up. Pin up posters with witty Mothers Day quotes to pack a punch. She will appreciate your sense of humor and your tactful expression. Roseanne BarrI know how to do anything- Im a mom. Rodney DangerfieldMy mother never breast-fed me; she told me she only liked me as a friend. Erma BombeckWhen your mother asks, Do you want a piece of advice? it is a mere formality. It doesnt matter if you answer yes or no. Youre going to get it anyway. Larisa OleynikIf my mom reads that I am grammatically incorrect, I will have hell to pay. Phyllis DillerI want my children to have all the things I could not afford. Then I want to move in with them. Milton BerleIf evolution really works, how come mothers only have two hands? Bob MonkhouseMy mother tried to kill me when I was a baby. She denied it. She said she thought the plastic bag would keep me fresh. Peter De VriesA suburban mothers role is to deliver children obstetrically once, and by car for ever after. Buddy HackettMy mothers menu consisted of two choices: Take it or leave it. Nora EphronWhat my mother believed about cooking is that if you worked hard and prospered, someone else would do it for you.

Greenhouse Business Challenge and Carbon Footprint Assignment

Greenhouse Business Challenge and Carbon Footprint - Assignment Example This research will begin with the statement that it has been observed that about 100 percent of the temperature has increased over the last 50 years. This is due to the increase in the emission of greenhouse gases in the atmosphere of the earth. The concentration of gases like carbon dioxide, methane, water vapor, etc has created a harmful layer over the ozone. The greenhouse gases act as a mirror of the earth. It reflects the heat waves of the sun back to the earth. This process increases the temperature of the earth causing global warming. As we can see in the paper, carbon dioxide (CO2) generated through fossil fuel such as kerosene, gas, petrol or oil has increased dramatically over the past 50 years.   The concentration of the CO2 has also increased due to the same. The temperature of Earth has increased by 3 to 5 percent in the year 2010. The sea level has also increased by 25 meters, i.e. about 82 feet above in 2010. Carbon footprint is nothing but the sum total of all the g reenhouse gases. The main cause that contributes to the increasing greenhouse gases in the atmosphere is the household electricity, clothing, food, and transportation. All these factors are responsible for the release of huge amount of CO2 in the atmosphere. However, the good news is that there are ways to reduce emission and carbon footprints. The US government has not set any legal bindings or targets for the reduction of GHG emission in the past but President Barack Obama has introduced the policy of US to reduce the emission by 14 percent below 2005 levels by 2020. The US government is mainly focusing on the reduction of fuel emission by regularly reviewing the number of vehicle and the emission of GHG gases.

A crime in English Law and Canadian Law Essay Example | Topics and Well Written Essays - 1000 words

A crime in English Law and Canadian Law - Essay Example These two elements are actus reus and mens rea. It is important to note that concurrence of these two elements is mandatory to prove any offence. While existence of these two elements is common in English and Canadian laws, there are some major differences when it comes to their interpretation in these two laws. In order to analyze definition of crime in English and Canadian laws, developing understanding of actus reus and mens rea is imperative. There are varied definitions of crime present in different national and international laws. However, the most recurrent definition is given by Blackburn (1993, p. 5) which defines crime to be â€Å"acts attracting legal punishment that are injurious in some way to the community at large or one or more people within it†. Another Canadian version of this definition is provided by Tappan (1960) which defines crime as â€Å"an intentional act or omission in violation of criminal law (statutory or case law), committed without defense or j ustification, and sanctioned by the state as a felony or misdemeanor (Haggan, 2011).† It is important to note that a crime will only be considered as committed if there is actus reus (guilty act carried out voluntarily) and mens rea (guilty mind leading to intention of committing the act) (Boyd, 2010). Therefore, mens rea and actus reus are the major elements of criminal law. Hence, a crime is a breach of rules defined by the state or any other governing authority. Most of the crimes are considered as offences against the state and community. The definition of crime under Canadian law is relatively similar to the one prevailing in English law. Therefore, the crime occurs when an individual breaches criminal law prevailing in the state voluntarily and with guilty mind (actus reus and mens rea respectively). Both laws also presume innocence of the accused until unless proven guilty. However, Canadian law levies burden of proof on the crown counsel in Canada (Boyd, 2010). There i s also slight variation in the elements of these two laws. In English criminal law, actus Reus and mens rea form the main elements of law. Omission of intent is a third element which is referred to as strict liability. However, in many cases, the criminal intentions are not required to be shown. In such cases, strict liability is applied. On the other hand, elements of Canadian criminal law includes actus reus, mens rea, special circumstances leading to incomplete offences, aiding and assisting in crime (Boyd, 2010). As far as criminal liability is concerned, it forms part of product liability law instead of criminal law. In order to understand differences between these two major elements of criminal law, it is important to analyze how English and Canadian laws consider actus reus and mens rea individually. The origin for actus reus and mens rea is English law and it is adapted in Canadian version of criminal law and other parts of the world as well. Actus Reus itself is a Latin for guilty act and is considered as mandatory criterion for criminal offence. It is important to note that actus reus defines all the elements of an offence other than mens rea which defines one’s state of mind. Actus Reus’ severity is defined by circumstances in which the offence has taken place or its consequences. Hence, the act has to be voluntary and willfully committed in order to fulfill the condition of Actus Reus. There are four types of crimes on the basis of actus Reus which are actions crimes i.e. conduct, state of affairs crimes, result crimes and omission. Actions crimes take place when the consequences of the acts are immaterial. State of affairs

Biology as an important aspect of gender and sexuality Research Paper

Biology as an important aspect of gender and sexuality - Research Paper Example re considered to have emerged from the ramifications of biology. Gender groups in the society segregated based on male and female divisions have long occupied the larger sections of the social sphere. These groups were observed in previous times to have carved out their social identities based on responsibilities and duties assigned to them by dearth of their biological birth. Thus biology is considered to have contributed to the construction of masculine and feminine ideals in society (Lewis, 2003, p.11-12). The division of social groups into such masculine and feminine characteristics to a larger extent is observed to cause the emergence of a patriarchal society, which in turn likes to dominate over the female class. The female groups, owing to the fact of continuous oppression and due submission of their desires have started revolting to this. Further, with the rise in different heterogeneous groups, the rise of homogeneous groups is also found to have grown up in a gradual fashio n, demanding increased space in the social circles (Murrin et al., 2011, p.511). Society also observes the rise in feminine circles reflecting different demands to gain further potential in the male dominated society. This has led to the increasing politicisation of the social system constructed under the banner of gender patterns. Again, the rise in homogeneous circles like gays and lesbians have lead to further threatening of the existing heterogeneous groups pertaining to the male and females. Thus it is observed that the understandings of gender groups are being endeavoured to be segregated from its biological roots. In this light, the paper endeavours to understand that despite the attempts to segregate the study of gender groups from its biological roots, it is now considered worthwhile to return back to its biological base (Carver and Pikalo, 2008, p.168). An Understanding of the Current Debates made on Gender, Sex, Sexuality and Culture Gender as a concept has received much importance in the current era owing to the fact that it helps in creating a separate identity for the sexes living in the society. It is often considered that biology has contributed a lot in creating this gender distinction and thus is conceived to be a natural factor. It is held that Biology alone determines the role the different sex groups needs to play in the society. However it is also held that sex, biology and the nature at large work based on a continuum. They do not have any conflict between them. The conflict arises in regards to their usage in the social context. In the social fervour the concept of gender takes a more dominating position than that of sexual dynamism as reflected in the domains of biology. Gender roles in the society have led to the creation of separate identity groups focusing on separate tasks to help the society progress. However in the changing world the portrayal of different advertisements reflect the change in the socio-dynamic relationships betwe en the two genders as the feminist class rises to shoulder the responsibilities previously held to be the possessions of only their male counterparts. Yet again biology comes into front declaring that the priority of the female or the women class is to produce and rear the children and the men to work for running the family (Baines and Marrin, 2005, p.260). The issue of sex, gender

Vivienne westwoods philosophy and influences in contemporary design

Vivienne westwoods philosophy and influences in contemporary design Abstract The article is talking about one of Englands leading fashion designers, Vivienne Westwood. Who aslo has been one of Britains most consistently original, outrageous, eccentric and controversial designers. Today, she has evolved from an iconoclastic outsider to an internationally revered figure, with two British Designer of the Year awards, an OBE, her own successful fashion label and an unrivalled reputation for leading where other designers follow. Her lifestyle could scarcely be in greater contrast to the opulence which surrounds other leading designers.So in this article, it discuss about how did an awkward girl from a conventional and provincial background become one of world fashions most influential and respected designers and how her design influence on present day design culture. Vivienne Westwood, one of Englands leading fashion designers who maintaining a devotion to history as a key theme to her unique styles. She has these wisps of yellow-blond hair spill around her oval face, which has been plucked, painted and powdered into a perfect cameo. Her lips are a bright kiss-me red, while her walk is that of a slowly advancing, scepter-toting monarch. Vivienne Westwood, really is made of awesome with her funky and creative designs. She is respected throughout the industry and fashion world as a highly influential designer.Vivienne Westwoods early profileVivienne Westwoods story is featured. Westwood grew up in the village of Tintwistle and he worked as a teacher in North England in 1962. She also had a 13 year marriage with Malcolm McLaren in the 1970s that resulted in two sons. At the same time, artists like Chrissie Hynde and bands like the Sex Pistols were influenced by Vivienne Westwood who was the creator of punk rock music and style in the 70s.She inspire d the current British designers such as Christian Lacroix and John Galliano, was knighted the Order of the British Imperial Medal by the queen in 1992, and is presently married to the designer Andreas Kronthaler. Vivienne Westwood starts her fashion career in 1971 when she opened a small shop called Let It Rock at 430 Kings Road in Chelsea with Malcolm McLaren, a former art student six years her junior. They had met in 1965 when Ms. Westwood, already a young mother and separated from her first husband, was working as a primary school teacher. Their partnership, which also produced a child, would soon shake up British fashion.Mr. McLaren was the rebel, the agitator, the provocateur, while Ms. Westwood was his muse and model, already in 1971 she wore spiky peroxide with dyed hair, as well as a skilled craftsman. In its first version, 430 Kings Road became a 1950s nostalgia parlor with Teddy Boy, or Edwardian revival clothes, copied and sold as a kind of anti-hippie protest. And Ms. Westwood was the one doing the unpicking, copying and resolving.In 1973 the couple renamed the store Too Fast to Live Too Young to Die, this time in homage to James Dean and the rising motorcycle culture. Leather, st uds and buckles appeared alongside T-shirts with aggressive slogans. But this lasted barely 15 months.In April 1974 the store became SEX and was filled with sadomasochistic and pornographic references as well as clothes made of leather and rubber, including rubber-wear for the office.In 1975 the Sex Pistols, a rock group formed by Mr. McLaren, carried the punk movement beyond Chelsea, even beyond Britain. Wearing outrageous clothes and scandalizing the media with profanities, the Sex Pistols trumpeted Mr. McLarens anti-authoritarian message. Its first single, Anarchy in the U.K., was followed by an irreverent God Save the Queen, which was promptly banned by British radio. In 1977 SEX was renamed Seditionaries, but punk power began to wane. In 1979 Sid Vicious of the Sex Pistols died of a drug overdose, and the group was disbanded. In 1980 Seditionaries became Worlds End and when Mr. McLaren wanted to vacate it, Ms. Westwood held onto it. More crucially, for the first time she began designing her own clothes with what became known as the Pirates collection. This collection, her first to be presented on a catwalk, in 1981, was to prove a turning point, not only because it announced her interest in historicism, but also because within two years she would form her own company without Mr. McLaren. I decided that in order to understand the world I lived in, I should somehow enter it and exploit my own ideas and see how I could get on, she recalled in a recent interview at the Victoria and Albert. Vivienne Westwoods philosophyMs. Westwood rise herself as a fashion maverick comes from being both wildly inventive and perversely out of touch. But most of the people call her the queen of extreme. Her managing partner, Carlo DAmario said This is a woman whos an English eccentric. But he said it with a tone for unexplained phenomena. To imagine what that means, all you have to do is picture this quaint-looking lady attended the Dame Edna Show in 1989 with a flesh-tone tights and a glimmering green fig leaf. And her famous entrance into Buckingham Palace in 1992 to receive her Order of the British Empire from the Queen, when she obliged photographers with a triumphant twirl, there was hardly a living soul in Britain who didnt know that Ms. Westwood was 1 sans culottes under her whirling skirts.But that Ms. Westwood truly become the genuine iconoclasts at that period. Those style expresses the delirium and anarchy of their time. Now, at an age when many other designers are resting on their laurels, Ms. Westwood is taking on New York. Yesterday in SoHo, she opened her first store in the United States, a 7,000-square-foot emporium at 71 Greene Street, near Spring Street, that will sell her mens and womens collections, as well as more popular secondary lines. Ms. Westwoods personal style also appear on her design but more on a creative way. Her design contexts come from different elements. First main element is music, more clearly from punk music. The English Punk style began to gain attention when the Sex Pistols wore clothes from Ms. Westwood and McLarens shop. The punk style included 2 BDSM fashion, bondage gear, safety pins, razor blades, bicycle or lavatory chains on clothing and spiked dog collars for jewelry, as well as outrageous make-up and hair. These designs are definited as rebellion , anti form or sexy. In that very beginning of her career as a designer during the punk movement ,her designs become more substance than generally thought. Secondly, there is another essential design element in her which is the adoption of traditional elements of Scottish design such as tartan fabric. The tartan pattern is the main symbol of Scottish tradition clothing style. And Ms. Westwoods using of tartan is unparalleled, in her collections an d triumphed in Anglomania (A/W 1993) (Figure 1). Her fascination with Scottish traditions by using a mix of different tartans, her ensembles exploited the rich depth, colour and diversity of the traditional checked pattern. The tartans were made to order by Locharron of Scotland, who also created a special design for Westwood called the McAndreas, after her second husband, Andreas Kronthaler. Amongst the more unusual elements of her style is the use of historical 17th and 18th century cloth cutting principles, and reinterpreting these in, for instance, radical cutting lines to mens trousers. Use of these traditional elements make the overall effect of her designs more shocking. Other influential elements in Ms. Westwoods work have included Peru, the feminine figure, velvet and knitwear. Ms. Westwoods design has ranged from early punk garments to glamorous historical 5 evening gowns. She worked these together to revolutionize fashion and the impact is still strongly felt today. Now, Ms. West wood has five exclusively-owned shops; three in London, one in Leeds, and one in Milan. Franchise stores are located in Liverpool, Newcastle, Glasgow, three in Manchester and most recently, in FH Mall, Nottingham (20 March 2008), and in Blake Street, York (11 September 2008). Westwoods themes have included Savage (1981), Hobo and Buffalo (1982), and Pirate. Her latest collection was themed Gold and Treasure, Adventure and Exploration. So, if Ms. Westwood often comes across as a bit of a crank, it is easy to see why. Whereas most designers take a humble slice of the cultural pie, Ms. Westwood wallows in the whole glorious mess. She will refer to the Industrial Revolution, Greek skeptism, the Sex Pistols, the decline of standards in English art schools, Picasso, sex, John Stuart Mill in one sitting. Ive always needed to explain myself in more general terms rathe r than only through fashion, she said. Vivienne Westwoods influences on punk cultureVivienne Westwood was punk symbol in the angry 1970s , she was wearing clothes festooned with spikes and pins. Today everyone knows what punk fashion is, but in 1970 it didnt exist. Punk first emerged in the mid 1970s in London as an anarchic and aggressive movement. Punk become a succeeded style even more when Vivienne Westwood and Malcolm McLaren put the punk ideas into their design ventures. In the 1975, McLaren launched the Punk music group called Sex Pistols which became the icon beyond Britain. They were wearing outrageous clothes and all these clothes were come from the shop called Sex that Vivienne Westwood opened on the Kings Road, London. That shop sold leather and rubber fetish goods, especially bondage trousers. Including rubber-wear for the office. Ms. Westwood gave world the fresh shock at that time and that is why her name is associated with the punk movement. In Ms. Westwoods punk style design, BDSM fashion is also a main element. Before 1970s, BDSM fashion wasnt something you can show in public or feel good about it in Britain. But Ms. Westwood brought it into her punk design. In the early summer of 1974, Westwood and Mclaren decided to invent the shop Sex with a fetish and bondage outlet, inspired in part by their recent visit to New York. This trip had opened their eyes to the outsider status of sexual deviancy, which, now as then, has a far greater capacity to shock than youth cult. The shop Sex underwent a prolonged refit, and the fact that it was closed for months and reopened in September 1974, the transformation was total (Figure 2). Outside, the name `SEX was emblazoned in four-feet-high pink rubber capitals and sprayed with slogans from Valerie Solanas SCUM manifesto, as well as slogans and quotes from the drug addicted outsider pornographer Trocchi. And these design gave the information to public that everyone can enjoy their style with no shame. Even in today, it still influence on youth sub-cultural.Vivienne Westwoods influences on Scottish design styleScottish Style become wold knowing in fashion by Vivienne Westwood in 1990s. Before, Scottish culture is just famous by it s traditional instrument the Great Highland Bagpipe clothing, and the performers who are wearing 3 kilts. Ms. Westwood use this tartan pattern into her design with creativity. We can find it with all different shapes or colors through her collections. But she use the tartan in a complete new way, she will mix and match them , put great flash on them through Viviennes color and lining. Today, tartan become one of the main fashion style which called Preppy Look, has been wide using by many designers. But Ms. Westwood still the on who done more for tartan than any other designer embracing the plaid extensively in her collections. The Locharron Textile Mill in Scotland created a special tartan for Westwood called the McAndreas. (Figure 3) Vivienne Westwood mix fashion with sexualityMs. Westwoods collection Britain Must Go Pagan in 1989 was truly a show full of sexuality information. But she showed that is people privately decide what they want to do their sexuality so it is not erroneous to show it in fashion. Ms. Westwood explored a diversity of influences, from Serves porcelain to pornographic Greek scenes. The clothing reflected the inherent contradiction in Westwoods work between respect for tradition and culture and a love of parody and sexual liberty. She paired classical drapery with Prince of Wales check, Fair Isle sweaters with computer-game patterns, and designed articulated jackets and corsets with removable sleeves, inspired by medieval armour. Precise Miss Marple suits (after Agatha Christie) in thorn-proof Harris Tweed received a fillip with saucy tulle flounces. She teamed Savile Row-style jackets with nude tights with a fig leaf (Figure 4), creating something that shocked even herself: When I first did the fig leaf, in 1989, I just kept screaming. It was porno and so hilariously mad. Then I got used to it, and I think it looks so elegant and ironic. And she based this outrageous ensemble on fashion of around 1800 in which men wore flesh coloured breeches in a conscious emulation of classical statuary.Vivienne Westwood brings historical into modernHistorical 17th and 18th century are always Ms. Westwood s big element. She use these traditional elegant style dresses as the base , mix with her modern design to fit into todays lifestyle. In her interpretations of historical dress, Ms. Westwood emphasise the idea of constriction as a way to define the body and its movement and to direct posture. She explore historical costume and, from it, to develop a completely new range of clothes that would form her first catwalk collection in 1981. The Pirate collection (Figure 5) drew inspiration from historical mens clothing and became the look for the emergent New Romantics, while providing We stwood with a vastly expanded repertoire of styles of cutting and tailoring, construction, fabric design and manufacture, pattern, colour and texture. Later When Ms. Westwood was working in Italy from 1984 to 1986, she developed the crinoline idea as the Mini-Crini, abbreviating it as a provocative new shape in total contrast to the exaggerated shoulders and narrow hips of the prevailing style of power dressing. In Vivienne Westwoods Cut, Slash and Pull collection of 1991, (Figure 6) The inspiration for this collection lay in the historical technique of cutting textiles to create a decorative pattern. In the original garments, the slashes exposed bright silk underlinings, but here Westwood reveals bare skin. To give the passionate, masculine vitality that she so admired in Tudor portraits, she used denim with hand-cut gashes and frayed edges. For the lighter fabrics, she adapted a 4 broderie anglaise machine programme, omitting the embroidery but retaining the fine, regular cuts. To sum up, nothing is ever quite as it seems with British fashion designer Vivienne Westwood. She has eccentric personality, she is an icon of rebellion. And that make she become one of the highly influential designers today. Her design always stand out of other designer with its unique technic and style which head the world into Ms Westwoods fashion fantasyland.